RaMell Ross and Joslyn Barnes discuss the cultural relevance of Nickel Boys, which they adapted from Colson's Whitehead's ...
The debut of Halfdan Ullmann Tøndel arrives with some unfair expectations — his grandparents are film legends — but finds a confidence and flair of its own.
If nonfiction films are determined to look, feel, and move like fiction, what’s the point of nonfiction filmmaking?
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