Whether you like it or not, people are increasingly seeing art that was generated by computers. Everyone has an opinion about it, but researchers at the University of Vienna recently ran a small study ...

“Coded: Art Enters the Computer Age,” an exhibition gathering 100 works that illustrate how artistic practices shifted with the emergence of computer technology beginning in the 1950s, opens at the ...

Joan Shogren graduated with her degree in chemistry from California’s San José State University (SJSU) in the early 1950s, and began working as a secretary in the department. It was there that she ...

Sometime in the late 1970s I did a studio visit at UC San Diego with Harold Cohen. Still new to California, I had heard about an artist working with computer programming to make experimental drawings ...

Edward Kienholz’s sculpture “The Friendly Grey Computer — Star Gauge Model #54” serves as both the beginning and end of the LACMA exhibit “Coded: Art Enters the Computer Age, 1952-1982.” (Sarah ...

In 1984, the Museum of Modern Art (MoMA) commissioned the artist Lillian Schwartz to create a public service announcement to advertise the opening of its newly renovated galleries. Her 30-second video ...

Should we look at digital, computer-generated artwork in the same way we evaluate performative happenings? Can electronic generative art be interpreted as performance with machines instead of bodies?

Grace Hertlein’s collection is “a kaleidoscopic snapshot of the early decades of an art historical and technological phenomenon.” Courtesy Sotheby's It’s Geek Week at Sotheby’s—the auction house’s ...

Buck Studio spoke at the SVA Theatre on Nov 19th to share content that they produce and opportunities for working with them. Buck is a collective of designers, artists and storytellers collaborating ...

Ken Knowlton, artist and computer animation pioneer, died on June 16 at a hospice facility in Sarasota, Florida. According to his son, Rick Knowlton, the cause of death was unclear. Knowlton was an ...

in the debate over whether images created with a computer deserve the same respect as paintings and other more traditional media, Louise Bodenheimer is not neutral. "It's the same basic fundamental ...