Steampunk Bride of Frankenstein

Maggie Gyllenhaal, The Bride and Jessie Buckley

The Bride! review – Jessie Buckley and Maggie Gyllenhaal’s punky revival isn’t as feminist as it thinks it is

The Bride of Frankenstein lives for only five minutes or so of her 1935 movie.

‘The Bride!’ Review: Jessie Buckley and Christian Bale Get Their Freak on in Maggie Gyllenhaal’s Bludgeoning Feminist Frankenstein Spin

· 3d · on MSN

Maggie Gyllenhaal builds her own kind of monster with the ultra-alive 'The Bride!'

· 11h

The Bride! Review: Jessie Buckley & Christian Bale Frankenstein Movie Is Enchanting

The Bride! is a swooning, soot-streaked fever dream of a movie, the kind that feels less like a retelling and more like a resurrection.

· 15h

‘The Bride!’ Review: Maggie Gyllenhaal Reinvents The ‘Frankenstein’ Story And Gives Sensational Jessie Buckley And Christian Bale A Monster Mashup Like No Other

· 1d

Jessie Buckley, Maggie Gyllenhaal and Marisa Tomei turn heads in luxe looks at The Bride premiere in NYC

· 16h

‘The Bride!’ Review: Jessie Buckley and Christian Bale Are Magnetic Monsters in Maggie Gyllenhaal’s Lumbering Punk Horror Trip

He’s someone born to be played by Christian Bale . Bale makes him winningly dim but just aware enough to have a conversation, with a sluggish, post-lobotomy voice that sounds like Bale doing his imper...

· 13h

Maggie Gyllenhaal's 'The Bride!' is out this Friday: Everything to know about the gothic romance set in 1930s Chicago

· 1d

Maggie Gyllenhaal unleashes ‘The Bride!’ in New York

14h

The Bride! takes the Frankenstein story on a messy, manic, monstrous ride

Her version of The Bride! is much harder to parse, and much harder to swallow. It’s a provocation and a challenge — a movie designed to prickle and puzzle the brain more than warm the heart. At times,

16h

The Bride! Review

The Bride! is in theaters on March 6. Frankenstein's lightning-streaked bride has been an enduring image on screen ever since James Whale, the director of the original 1931 Frankenstein film, committed her to celluloid in his campy 1935 sequel,